Hi, Rose [of Picardy] (and Michelle!)!
I've just finished reading Clare's
Tempestuous Petticoat: The Story of an Invincible Edwardian back-to-back with
Boy of My Heart. Since the former was written by Clare, at first I thought the book's title was in reference to herself, but it most definitely describes Marie. What's remarkable about Clare's account of her mother is that she describes Marie's egotism, superstitions, classism, hypochondria, and all other sorts of idiosyncrasies with a great deal of neutrality - or, at the very least, Clare impassively indicts Marie for her eccentric behavior. Though Clare herself is deeply imbued in the story, seldom does she quote or reference herself. The book focuses almost wholly on her mother, whom she quotes at great length. In
Boy of My Heart, Marie states that Roland had nicknamed Clare The Bystander, and she most definitely lives up to that in
Petticoat. It might sound like a criticism, but it seems to give Clare, ostensibly, a fair amount of compassion for her mother, even though Marie rather neglected and relegated Clare to the sidelines because she was a girl and because she wasn't Roland. I couldn't help but be infuriated with Marie throughout Clare's book, until I was near the end in a chapter called "The War Years." The following passage leads up to Clare's mention of Roland's death and almost has a redemptive quality for Marie on behalf of Clare:
QUOTE
She [Marie] walked through the village street, wearing her ermine stole and her sable-trimmed velvet coat, as though she were treading upon the pile carpet of a palace. She sailed into the village post office, carrying her ermine muff. But the Parma violets upon that muff had had, these [wartime] days, to be imaginary. Who was to say that the imagination could not produce Parma violets as magical as any that could be bought at a florist's? And what did it matter that the sable-trimmed velvet coat was growing shappy and worn with time? She looked around her in the village post office, at hobbling Mrs. Gardner who sold the postage stamps, and at rosy-cheeked Mrs. Heathorn who kept the bakery at the far side. She smiled at them and at the doctor's wife who had just entered the shop in severe tweeds; and it was the smile of indulgent graciousness.
As I write this, I find myself back in a pension at Cannes, on the Riviera. This pension was kept by a Russian princess. The man in the green baize apron, who carried my luggage to my room, was her son, with whom she had escaped when he was a few days old. All around me, at the dinner table, sat Russian nobility in exile, dressed in shabby splendor that had belonged to the pre-revolution era. Their minds lived in the past, too. They addressed each other with a graciousness and a courtesy that was very moving. In the next room, upon an easel, stood a large painting of the Tsar and the Tsarina, heavily draped in black. Looking then at these people, I had found myself placing my mother among them. These were the people who had outlived their age. They were people who no longer belonged...They sat there and bowed in exactly the same way in which my mother bowed to the doctor's wife.
There was something all of them carried which life could not strip from them. Inside their hearts they nursed the same desolation. Their worlds had been destroyed. But upon their outward persons they would wear the ermines and velvets of their former glory. No one should ever see what had happened to them.
What's also interesting is that, having read Marie's book and becoming familiarized with her language style after 300 pages, I noticed that Clare's quotations of her mother replicate her exact style and manner, which I think is a testament to the force of character Marie possessed and which Clare so often remarked upon in her book. After reading both books, I feel I've gotten to know Marie well. I don't like her much, and, given her prejudices against those of the lower classes, I doubt she would have liked me, not being an aristocrat, much either. But she is a fascinating character, particularly of that era, which I guess is what Clare ultimately took her for.
About Vera, Clare makes no mention of her. Roland pops up occasionally, as does her younger brother Evelyn, but the book is entirely the Marie Connor Leighton Show. In both books, Marie's worship of Roland is more than evident, as Marie herself readily admits. Roland himself rarely hung around with his younger siblings, whom he called "The Children," though Clare was only two or three years younger than he was, until the younger two were in their teens. Clare says they never despised him for it, though, and revered him like their mother did. And once they were all old enough to enjoy spending time with each other, Roland was sent to the Front and soon after killed.